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PAINTING·WHITE DWARF 286

Painting Masterclass: Radagast, Glorfindel and Elrond’s Sons

October 2003·pp. 128–129

THE SHORT VERSION

Tammy Haye explains the ’Eavy Metal schemes for Radagast, mounted and foot Glorfindel, and Elladan and Elrohir. Warm layered browns and small green leaves give Radagast a woodland character, while Glorfindel’s grey-white robes, cool blue lining and bright metal create a more formal appearance. The same framework extends to Elrond’s sons with different hair, and a grey horse completes the mounted version. Faces, the raven, staff, sash and ornaments receive separate finishing instructions.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Mid FleshDwarf FleshElf FleshBrown InkScorched BrownBestial BrownBleached BoneChaos BlackCodex GreyFortress GreySkull WhiteSnakebite LeatherDark Angels GreenGoblin GreenSpace Wolves GreyRegal BlueIce BlueBronzed FleshFlesh WashBoltgun MetalChainmailMithril SilverBlack InkShadow GreyShining Gold

All named paints are included under their historical printed names, including “Mid Flesh”; mixtures remain in the source.

EXPLORE RELATED TOPICS

Painting techniques

Back to the original

Find this article in White Dwarf 286, pp. 128–129.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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PaintingWD 286 · pp. 48–49

Painting the Emperor’s Children

Shaun Murphy explains the split pink-and-black scheme on Aly Morrison’s Emperor’s Children, using purple outlines and carefully placed pale highlights to keep the armour legible. Separate recipes tackle aged metal, flayed skin, tassels, tubing and faces, adding variety without overwhelming the main colour division. The treatment extends to the base and smaller ornaments, showing how an intricate Slaaneshi model can retain a clear silhouette and a consistent finish.

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PaintingWD 286 · pp. 54–55

Camouflage: Principles and Pattern Design

Tammy Haye explains why effective miniature camouflage needs a simpler, bolder pattern than its full-sized counterpart. Contrasting dark, middle and light colours break up a uniform without dissolving the figure’s shape, while plain armour can balance patterned clothing. The guide advises highlighting the underlying fabric and interrupting patterns at seams, then uses a sniper example to show how a small palette can suggest environmental concealment.

Warhammer 40,000Astra Militarum3 paint colours
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PaintingWD 286 · p. 56

Urban Camouflage

A grey base and irregular lighter and darker marks produce an urban pattern that remains readable at miniature scale. The steps develop the cloth through highlights before adding the camouflage, avoiding the need to shade every separate spot. An accompanying colour key offers a related muted palette for varying the effect across city-fighting troops while keeping the same balance of light and dark shapes.

Warhammer 40,000Astra Militarum6 paint colours
October 2003Read summary