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SHOWCASE·WHITE DWARF 447

The Last Stand

October 2019·p. 101

THE SHORT VERSION

Jonathan De Vos stages an ambush around bounty hunters and their captured Medusae, using contrasting poses to establish who is advancing and who must hold ground. Straight structural beams guide the viewer around a compact base, while a muted abandoned-city setting lets the combatants’ brighter colours carry the story.

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Find this article in White Dwarf 447, p. 101.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.