The Enemy Below

THE SHORT VERSION

The winning diorama places a loyal Librarian above a hidden summoning ritual that his own violence unwittingly completes. Angelo Di Chello connects the two levels with falling blood and repeated psychic effects, using grime, contrasting protagonists and triangular figure placement to make the tragic relationship readable.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Typhus Corrosion↗

Only explicitly named paints used in the feature are indexed.

Back to the original

Find this article in White Dwarf 447, pp. 106–107.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.