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LORE·WHITE DWARF 386

The Badab War

February 2012·pp. 20–21

THE SHORT VERSION

The Badab retrospective follows Lufgt Huron’s ambition from secession to the Astral Claws’ fall and the emergence of Huron Blackheart’s Red Corsairs. Alan Bligh describes the attraction of a story in which the Imperium’s greatest defenders turn their strength against each other through pride, greed and treachery. He recalls expanding the few hundred words and Chapter colour schemes of White Dwarf 101 into two Imperial Armour books, illustrating how a small early piece of background could become a fully developed civil war.

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Find this article in White Dwarf 386, pp. 20–21.

Anniversary section, printed 20–21 (Arabic numerals printed in place of the expected XX–XXI); numeric page fields represent these separate Roman folios.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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EditorialWD 386 · Inside cover

A Return to Middle-earth

Andrew Kenrick recalls beginning his Rohan collection while at university and losing his first recreation of Helm’s Deep. The new Middle-earth sourcebooks and the Great Beast of Gorgoroth tempt him towards Mordor, while the issue also continues Warhammer Civil War and turns over for a separate celebration of Warhammer 40,000’s twenty-fifth birthday.

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February 2012Read summary
CommunityWD 386 · p. 23

News

The news roundup highlights The Jericho Reach for the Deathwatch roleplaying game, including its three war zones and the opportunities for missions into Tyranid-infested territory. It also announces the high-definition release of the Ultramarines film and points readers towards work in Games Workshop retail, combining licensed 40K developments with hobby community notices.

Warhammer 40,000DeathwatchDeathwatch
February 2012Read summary
PaintingWD 386 · pp. 66–69

Army Workshop: Necrons

Chris Peach explains how his Nihilakh collection follows a visual hierarchy, with Warriors forming its broad base, more elaborate elites above them and Overlords at the top. Turquoise, aged silver and gold unify the force, but their balance changes with status: ordinary Warriors look like dirty machinery, while nobles display richer decoration. On the vehicles the turquoise represents weathered stone; on the infantry it becomes smoother painted livery, giving the same palette different material identities.

Warhammer 40,000Necrons
February 2012Read summary