The Bell
January 2012·p. 73
THE SHORT VERSION
Tin Bitz and bronze drybrushing create the bell’s coppery foundation, followed by a turquoise-green coating of verdigris. Silvered cracks and edges suggest exposed metal beneath that corrosion. Its binding twine is kept separate with granite, black shading and grey highlights, preventing the two weathered materials from merging visually.
AT THE PAINTING DESK
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Find this article in White Dwarf 385, p. 73.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.