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PAINTING·WHITE DWARF 382

The Swordfysh

October 2011·p. 96

THE SHORT VERSION

Black hull surfaces receive narrow grey highlights beside gold trim, pale shells and bone. The sails combine dark grey cloth with blue-green decorative areas and cold pale motifs, using black washes to separate the details. Painting the hull, base and sails independently protects those crisp contrasts during assembly.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Scorched BrownShining GoldDheneb StoneAdeptus BattlegreyDevlan MudCodex GreyBleached BoneSkull WhiteMithril SilverAstronomican GreyDark Angels GreenEnchanted BlueChaos BlackShadow GreyBadab Black

Only explicitly named paints and recipe ingredients are indexed.

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Swordfysh black hull blue-green sails

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Find this article in White Dwarf 382, p. 96.

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EditorialWD 382 · Inside cover

Ship’s Log

Andrew Kenrick introduces Dreadfleet through the studio’s lunchtime campaign and the rivalry it has generated between writers and designers. The issue follows the boxed game from story and miniatures to tactical advice, two narrated games and a complete painting workshop. He presents the individual warships and their unusual captains as central to its appeal.

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InterviewWD 382 · pp. 10–17

Death on the Ocean Waves

Phil Kelly talks to Andy Hall about a self-contained naval adventure driven by Jaego Roth’s revenge against Count Noctilus. John Blanche explains the importance of a convincing haunted setting, while the design discussion connects huge characterful ships, three-dimensional islands and damage cards to unpredictable games. Twelve scenarios teach the system through different adventures, with momentum and manoeuvring requiring captains to plan several turns ahead.

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LoreWD 382 · p. 16

The Grand Alliance

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