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PAINTING·WHITE DWARF 372

Ruins of Angmar

December 2010·pp. 79–81

THE SHORT VERSION

Chad derives the board’s grey-brown palette from existing Osgiliath ruins, repeating the lighter stone on rocky outcrops and using warm recesses and trees as a spot colour. Layered drybrushing ties the ground together. Raised ruins, loose statues and Osgiliath elements embedded in a Citadel Wood make the place feel like a fallen realm rather than a generic grey battlefield.

AT THE PAINTING DESK

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Find this article in White Dwarf 372, pp. 79–81.

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