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TACTICS·WHITE DWARF 367

Jervis Explains the Battle

July 2010·pp. 59–75

THE SHORT VERSION

Jervis’s interspersed commentary turns the report into an introduction to the new edition’s flow. He explains terrain and deployment, the management of Animosity and Stupidity, magic pools, charges, supporting attacks and the resilience of deep formations. Later notes show why position and choosing the right troop for a task matter, then encourage players to retain a simple strategy and assess a close result through victory points.

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Find this article in White Dwarf 367, pp. 59–75.

Commentary boxes occur throughout pages 59–75 rather than as a continuous standalone article; the range intentionally includes the intervening battle report.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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EditorialWD 367 · p. 1

Editorial: Warhammer Takes the Studio

Andrew Kenrick describes the excitement surrounding the new Warhammer book, from newly painted armies to Jervis’s narrative campaign and regular Studio games. An entire issue is devoted to the game, bringing together its authors, artists, scenery makers and painters. The editorial presents that breadth as the point of the release: readers are invited to explore the world and its creative possibilities as well as the changes to the rules.

Warhammer Fantasy Battles
July 2010Read summary
CampaignWD 367 · p. 14

Trouble in the Border Princes

Jervis Johnson’s Studio campaign uses a sandbox approach without a fixed predetermined structure. Players contribute battle reports, grudges and artefacts to a campaign wall, allowing the referee and participants to develop new narrative branches together. Dom Murray’s illustrated war journal and a Mighty Empires map demonstrate how the campaign generates material beyond the games themselves, with future coverage promised as the fighting expands.

Warhammer Fantasy BattlesThe Empire
July 2010Read summary
CommunityWD 367 · p. 15

Battalion Challenge

Studio hobbyists are challenged to complete an entire Battalion in a month, turning lunch breaks into shared painting sessions. Early examples include Colin Grayson’s finished force and Keith Robertson’s expanding Ogre collection, with painters and sculptors joining less experienced colleagues. The short report shows how a common deadline and a visible group project can build momentum for new armies, alongside the continuing Summer of War activities.

Warhammer Fantasy Battles
July 2010Read summary