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PAINTING·WHITE DWARF 331

Painting Your Dragon

July 2007·pp. 70–71

THE SHORT VERSION

The red dragon’s scales progress from a purple-red foundation to fine orange edges, leaving darker centres and joins for depth. Wings use the same palette through drybrushing, while bone-tipped horns and yellow-glazed eyes create contrasting details. Mark Bedford’s green alternative follows the scale method with a restrained reptilian palette, showing how real animal references can produce a convincing monster without changing the underlying technique.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Red GoreLiche PurpleBlood RedBlazing OrangeFiery OrangeScorched BrownBleached BoneBronzed FleshYellow InkSkull WhiteChaos BlackCatachan GreenKommando Khaki

Only explicitly named Citadel paints and mediums are indexed; unnamed colours and third-party products are not guessed.

FOLLOW A THREAD

Dragon scales Wing membranes Reptile colours Edge highlights Eyes Colour variant

Back to the original

Find this article in White Dwarf 331, pp. 70–71.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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PaintingWD 331 · pp. 20–24

Painting Mighty Empires Maps

Four maps demonstrate how colour and modest alterations turn the same tiles into Khemri’s desert, Middenland’s forests, Bretonnia’s farmland or the polluted Dark Lands. Rivers become coastlines, marshes become oases or lava fields, and clipped mountains make volcanoes. Painting techniques range from broad drybrushing to fine water highlights, while preparation advice preserves the tiles’ reversibility and keeps ownership pennants visually clear.

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PaintingWD 331 · pp. 40–43

Painting Flagellants

Neil Hodgson paints the varied Flagellant figures as individuals within a coherent, weathered band. Different dark cloth basecoats receive a unifying wash before selective highlights restore their character; rust and tinted grey hair add further variation. Flames, parchment, ropes and dirt are treated in separate detail sequences, making a richly accessorised Prophet of Doom stand out without losing the regiment’s ragged common appearance.

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TacticsWD 331 · pp. 64–69

Dragons of Middle-earth

Mat Ward moves from dragon legends to the practical challenge of commanding an immensely powerful but self-preserving monster. Its best targets are ordinary warriors, since wounds from heroic opponents can trigger courage tests and flight. Optional wings, fire, spells and thicker hide create different roles, and two sample armies show how supporting creatures or Easterling formations can compensate for the dragon’s cost and the vulnerabilities of its remaining troops.

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