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PAINTING·WHITE DWARF 315

Khandish Chariot: Painting Workshop

March 2006·pp. 76–81

THE SHORT VERSION

The workshop treats a chariot as five separate assemblies so that the warrior, banner, horses and vehicle remain accessible throughout painting. Red armour and cloth, highlighted black fabric and warm gold establish the Khandish appearance, while separate recipes distinguish leather, wood, animal skin and horse tack. A geometric sequence constructs the sun emblem on both banner faces. Final assembly waits until the painted pieces and textured base can be arranged together safely.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Tanned FleshDwarf FleshElf FleshFiery OrangeBlood RedScab RedScorched BrownDark FleshGraveyard EarthKommando KhakiVomit BrownBubonic BrownBleached BoneChaos BlackCodex GreyFortress GreySkull WhiteBoltgun MetalChainmailMithril SilverShining GoldBurnished GoldBlack InkBrown InkFlesh WashChestnut InkBronzed Flesh

Only explicitly named paints used in the feature are indexed.

FOLLOW A THREAD

Sub-assemblies Chariot Khandish sun icon Intermediate workshop

Back to the original

Find this article in White Dwarf 315, pp. 76–81.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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The News

The news previews Cities of Death as an urban expansion supported by modular plastic buildings and stratagems that give ordinary armies new choices. Forge World’s Cadian equipment, Mordheim components and an Old West historical release show other ways of extending existing collections. Studio sculpting previews, a Copenhagen gaming venue and the Golden Demon winners booklet place forthcoming products alongside the people and places that support the hobby.

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Warm armour is layered from Vomit Brown through Bronzed Flesh to pale bone edges, contrasting with dark brown undersuits and grey-edged black rifles. Small metallic components rise from Tin Bitz through gold highlights, while red lenses receive a final white point. The sept emblem is painted as a small contrasting shape rather than relying entirely on transfers. These separate treatments keep the restrained uniform readable across a whole squad.

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PaintingWD 315 · p. 53

Tau Skin and Sept Markings

The skin recipe starts with Shadow Grey and gradually adds Bleached Bone, making each highlight smaller as it becomes lighter. The adjoining marking guide explains how repeated stripes can identify a team and how leaders receive more prominent helmet markings. Examples from several septs show how those signs can change the character of otherwise similar armour. Skin and insignia thus provide individuality within a deliberately consistent military force.

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