PaintingWD 447 · p. 4
Dan Harden answers a reader’s question about his dark Kharadron scheme by separating brasswork, cloth and armour into distinct recipes. Drybrushed metal is completed before the dark areas are restored, while pale blue aether globes and a glossy finish provide small luminous accents against the subdued body colours.
Age of SigmarKharadron Overlords14 paint colours
PaintingWD 447 · p. 7
Sam Davies describes a warm bone-coloured skin recipe built from shading, overbrushing and drybrushing, then deepens selected facial and stomach details with a fine brush. Brown fur receives progressively brighter warm drybrushes, giving the enormous daemon-rat contrasting surfaces through straightforward repeatable methods.
Age of SigmarSkaven9 paint colours
LoreWD 447 · pp. 8–11
Phil Kelly tours the Mortal Realms through strange details that range from domestic trade and seasonal calendars to divine schemes and unsettling transformations. Stormcast memory loss, magical geography, wandering monsters and hidden agents demonstrate how everyday life and spectacular fantasy can coexist, offering starting points for armies and stories beyond the main wars.
Age of Sigmar