Ulrik the Slayer
November 2017·p. 94
THE SHORT VERSION
Simon Adams examines how Winstone controls the focal point of a predominantly black miniature. Bright yellow and gold remain small accents, while a heavily darkened red cape contributes colour without pulling attention away from the warrior’s centre, illustrating the difference between a useful spot colour and an overpowering secondary area.
FOLLOW A THREAD
Back to the original
Find this article in White Dwarf 424, p. 94.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.