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PAINTING·WHITE DWARF 424

Ulrik the Slayer

November 2017·p. 94

THE SHORT VERSION

Simon Adams examines how Winstone controls the focal point of a predominantly black miniature. Bright yellow and gold remain small accents, while a heavily darkened red cape contributes colour without pulling attention away from the warrior’s centre, illustrating the difference between a useful spot colour and an overpowering secondary area.

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Find this article in White Dwarf 424, p. 94.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.