Thirty Years of Golden Demon
October 2017·pp. 58–61
THE SHORT VERSION
Judges and painters reflect on Golden Demon as a place for storytelling, composition and inventive treatment of Citadel worlds. Darren Latham explains how technical control supports an emotional effect, alongside memories of the competition’s early organisers.
Angelo Di Chello, David Soper, Jakob Rune Nielsen and Matt Parkes describe formative entries and competitive pressure. Practice, friendships and increasingly open exchanges of methods link their experiences, while smaller events offer more routes into the competition.
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Find this article in White Dwarf 423, pp. 58–61.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.