Goblins and Faces

THE SHORT VERSION

Michael Perry recalls observing Goblin performers in full costume and learning from Terry Notary how their noses lead their short, jerky movements. That three-dimensional reference shapes the miniatures’ hunched weapon-bearing poses. Aly Morrison adds that a smaller cutting tool was required for the moulds to retain the delicate facial detail of Bilbo, Radagast and the Dwarves, allowing recognisable likenesses at an unusually small scale.

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Find this article in White Dwarf 396, p. 137.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.