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PAINTING·WHITE DWARF 393

Forge World: Phil Stutcinskas’s Red Scorpions

September 2012·pp. 94–95

THE SHORT VERSION

Phil Stutcinskas discusses a Red Scorpions collection that grew through experimental command-squad conversions and his interest in weathering. He airbrushes earthy paint and medium over vehicle hulls, adds varnish to control drying around details, then builds dust with lightly stippled Dark Sand and Light Earth powders before picking out worn metal edges. A separate detail explains Commander Culln’s intricate golden freehand, mixing gold with an ochre paint for easier control and relying on a fine brush and patience.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Steel Legion DrabTau Light OchreLahmian MediumArdcoatDark SandLight EarthIronbreakerGehenna’s Gold

Includes the explicitly named Forge World weathering powders Dark Sand and Light Earth. The source spelling “’Ard Coat” is indexed as Ardcoat; unnamed flesh tones and matt varnish are not guessed.

EXPLORE RELATED TOPICS

Airbrushing Freehand & heraldry Painting techniques Weathering

Back to the original

Find this article in White Dwarf 393, pp. 94–95.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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EditorialWD 393 · p. 2

Editorial

Andrew Kenrick introduces Dark Vengeance through the mutual hatred of its Dark Angels and Chaos Space Marines. His enthusiasm for the new push-fit Chosen and Helbrute leads into the issue’s designer interviews, campaign battles and hobby projects, with a Space Wolves parade army and rival Vampire Counts and Bretonnian collections broadening the coverage.

Warhammer 40,000Dark Angels
September 2012Read summary
InterviewWD 393 · pp. 22–27

Dark Vengeance

Simon Grant talks to Jervis Johnson, Jes Goodwin and Phil Kelly about a starter set whose named characters and opposing forces were designed around a connected story. Goodwin explains how a small elite Dark Angels force contrasts with numerous Cultists and warped, ancient Chaos Marines, while unusually intricate push-fit models retain dynamic poses with few components. Johnson describes the teaching booklet’s progression from basic lessons and solo missions to battles using the whole box; Kelly presents Cultists as the expendable mass that releases Chaos elites to attack.

Warhammer 40,000Dark Angels
September 2012Read summary
LoreWD 393 · pp. 30–35

The Hellfire Stone

The background to Bane’s Landing connects Master Balthasar’s pursuit of the Crimson Slaughter with the death of his predecessor, Zadakiel. Their quarry seeks a Khornate altar capable of opening a powerful daemonic gateway when fed Space Marine blood, so a personal vendetta also threatens a much greater catastrophe. The feature introduces the opposing leaders and squads as participants in that struggle, grounding the starter campaign in the Dark Angels’ oaths and the Crimson Slaughter’s curse.

Warhammer 40,000Dark Angels
September 2012Read summary