AN INDEPENDENT WARHAMMER REFERENCE ARCHIVE ONLINE // EST. M026
Index Obscura.THE WHITE DWARF ARCHIVE

SHOWCASE·WHITE DWARF 393

’Eavy Metal Showcase

September 2012·pp. 36–39

THE SHORT VERSION

The studio painters present the Dark Vengeance characters and squads with details that reinforce their identities. Kornel Kozak uses Seraphicus’s pale tabard to draw attention against black armour, and Dave Holmes adds Fifth Company markings to the Dark Angels. Dave Heathfield’s red Crimson Slaughter contrasts with a black Black Legion interpretation, while fleshy Helbrute details, rich Chosen trim and Joe Tomaszewski’s pale blue weapon effects distinguish the corrupted warriors. The photographs show alternative finished schemes rather than named paint recipes.

FOLLOW A THREAD

Dark Vengeance Seraphicus Helbrute Chosen colour schemes

Back to the original

Find this article in White Dwarf 393, pp. 36–39.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

KEEP EXPLORING

Another page to turn.

Back to the archive →
EditorialWD 393 · p. 2

Editorial

Andrew Kenrick introduces Dark Vengeance through the mutual hatred of its Dark Angels and Chaos Space Marines. His enthusiasm for the new push-fit Chosen and Helbrute leads into the issue’s designer interviews, campaign battles and hobby projects, with a Space Wolves parade army and rival Vampire Counts and Bretonnian collections broadening the coverage.

Warhammer 40,000Dark Angels
September 2012Read summary
InterviewWD 393 · pp. 22–27

Dark Vengeance

Simon Grant talks to Jervis Johnson, Jes Goodwin and Phil Kelly about a starter set whose named characters and opposing forces were designed around a connected story. Goodwin explains how a small elite Dark Angels force contrasts with numerous Cultists and warped, ancient Chaos Marines, while unusually intricate push-fit models retain dynamic poses with few components. Johnson describes the teaching booklet’s progression from basic lessons and solo missions to battles using the whole box; Kelly presents Cultists as the expendable mass that releases Chaos elites to attack.

Warhammer 40,000Dark Angels
September 2012Read summary
LoreWD 393 · pp. 30–35

The Hellfire Stone

The background to Bane’s Landing connects Master Balthasar’s pursuit of the Crimson Slaughter with the death of his predecessor, Zadakiel. Their quarry seeks a Khornate altar capable of opening a powerful daemonic gateway when fed Space Marine blood, so a personal vendetta also threatens a much greater catastrophe. The feature introduces the opposing leaders and squads as participants in that struggle, grounding the starter campaign in the Dark Angels’ oaths and the Crimson Slaughter’s curse.

Warhammer 40,000Dark Angels
September 2012Read summary