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SHOWCASE·WHITE DWARF 378

Army Masters: Matt Weaver’s Space Wolves

June 2011·pp. 92–93

THE SHORT VERSION

Matt Weaver’s ongoing army centres on Logan Grimnar and a noisy, aggressive approach to battle. Eight pre-mixed armour stages are drybrushed from dark blue-grey toward lighter tones, with gold, orange hair and snow providing contrast. Naming every warrior after Nordic or Icelandic sagas gives the collection a heroic identity, and a biker’s captured Dark Angels banner adds a deliberately provocative trophy.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Shadow GreySpace Wolves GreyKommando KhakiBleached Bone

Only explicitly named paints and recipe ingredients are indexed.

FOLLOW A THREAD

Logan Grimnar Nordic sagas premixed highlights Wolf Guard trophy conversions

Back to the original

Find this article in White Dwarf 378, pp. 92–93.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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InterviewWD 378 · pp. 2–15

Citadel Finecast

Andy Hall introduces the replacement of metal miniatures with a new resin range, describing the launch, revised clampack packaging and anticipated benefits for detailed models. Interviews with sculptors, assemblers and painters explain the contemporary expectations of sharper casting, lighter parts and easier conversion. Galleries of familiar characters demonstrate the scope of the change, while practical examples show how the material was being prepared and painted in the studio.

Warhammer Fantasy BattlesWarhammer 40,000
June 2011Read summary
PaintingWD 378 · pp. 12–15

Painting Citadel Finecast

Joe Tomaszewski explains why detailed castings provide a useful foundation for precise painting while stressing that the craft still depends on practice. Darren Latham’s Astorath contrasts glossy red armour with non-metallic gold, and Matt Kennedy differentiates a Blood Knight’s dark barding from its brighter rider. Further classic characters show varied treatments of crystal, skin, cloth and weapons across the newly recast range.

Warhammer Fantasy BattlesWarhammer 40,0002 paint colours
June 2011Read summary
InterviewWD 378 · pp. 32–43

The Lords of Pain

Simon Grant talks to Phil Kelly, Jes Goodwin and the sculptors about the Haemonculi’s influence over Commorragh and the visual logic behind their horrific servants. Wracks, Grotesques and Engines of Pain share masks, altered bodies and sinister equipment, with resilience arising from their background rather than an arbitrary army fix. Scourges express individual surgical vanity, while the Venom and Razorwing use recognisable engineering and shared Eldar ancestry to make extreme alien designs believable.

Warhammer 40,000Dark Eldar
June 2011Read summary