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PAINTING·WHITE DWARF 371

Wyches: Flesh and Red Hair

November 2010·p. 90

THE SHORT VERSION

Joe Tomaszewski gives the Wyches an almost alabaster complexion with a flesh-and-blue-grey foundation, warm recess shade and increasingly white highlights. Purple around the eyes and nose supplies depth without losing pallor. A separate dark-red-to-orange hair sequence adds a strong primary colour against the otherwise neutral skin and leather, reinforcing the models’ sharp contrasts.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Tallarn FleshSpace Wolves GreyDark FleshDevlan MudSkull WhiteLeviathan PurpleChaos BlackScab RedMechrite RedRed GoreBlood RedBlazing Orange

Only explicitly named paints and recipe ingredients are indexed.

EXPLORE RELATED TOPICS

Painting skin & faces Painting techniques

Back to the original

Find this article in White Dwarf 371, p. 90.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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EditorialWD 371 · Inside cover

Editorial: Revelations from the Dark City

Andrew Kenrick welcomes the Dark Eldar’s comprehensive relaunch and the answers it brings to questions left open by their original sparse Codex. He connects the pleasure of discovering their role in the Fall to reading new revelations in the Horus Heresy novels, arguing that carefully developed answers can be as exciting as the setting’s enduring mysteries.

Warhammer 40,000The Horus HeresyDark Eldar
November 2010Read summary
CommunityWD 371 · pp. 18–21

News

The news pages introduce Mike Anderson’s fighter-pilot Grombrindal and examine the whimsical runes and aviation details of the annual White Dwarf miniature. Graham McNeill reflects on winning the David Gemmell Legend Award for Empire and on Gemmell’s influence on his writing. The online preview points readers toward the Dark Eldar designers’ commentary, pain-token modelling and additional assembly guidance.

Warhammer Fantasy BattlesWarhammer 40,000Dwarfs
November 2010Read summary
InterviewWD 371 · pp. 22–29

From the Labyrinth Dimension

Jes Goodwin tells Andy Hall how a long redevelopment gave the Dark Eldar room to become a distinct culture and miniature range. Their survival through stolen vitality, loss of psychic gifts and physically manufactured equipment distinguish them from their Craftworld cousins. The interview follows that thinking into serrated Kabalite armour, interchangeable kits, airborne transports and running Wyches, then explains the specialised silhouettes of Reavers, Hellions, Incubi and monstrous Mandrakes. Removable Raider passengers and shared components make the visual ideas useful to collectors as well as evocative.

Warhammer 40,000Dark Eldar
November 2010Read summary