The Dark Art

THE SHORT VERSION

Kevin Chin explains how artwork fills the space between miniatures and written background by showing the Dark Eldar’s different ways of fighting. Sweeping Wych poses express speed, flesh constructs advance with oppressive brutality, and an Incubus’s proud stillness conveys effortless confidence. John Blanche’s densely packed Commorragh image gives the city its own character, while collaborative discussions with Jes Goodwin and Phil Kelly keep the illustrations connected to the wider project.

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Find this article in White Dwarf 371, pp. 36–37.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.