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PAINTING·WHITE DWARF 362

Lizardmen and Skin Tones

February 2010·p. 102

THE SHORT VERSION

The Kroxigor repeats a two-tone face with its lighter area around the mouth, using khaki to lighten a Regal Blue foundation. Warm shading and a complementary tongue keep the cool skin lively, while sharply edged scales contrast with blended flesh. The examples compare bright Skinks, more subdued Saurus and darker Kroxigor, explaining how colour intensity can communicate size and power within one army.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Regal BlueKommando KhakiDark FleshVermin BrownTausept OchreBleached BoneSkull White

The horns explicitly refer to the dark-base smooth-horn method on page 84, whose named paints are included. Optional gloss varnish and unnamed warm glazes are not assigned guessed product names.

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Kroxigor Scales Species colour Horn reference

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Find this article in White Dwarf 362, p. 102.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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InterviewWD 362 · pp. 18–27

Primal Fury

Andy Hall asks Phil Kelly how the new Beastmen book establishes a distinct culture driven by hatred of civilisation. Large regiments, unpredictable ambushes and Primal Fury replace the image of scattered minor raiders, while new monsters reinforce the army’s identity apart from Warriors of Chaos. Sculptors discuss shared weapon shapes, horns and anatomy, and the feature ends with banner design and practical four-stage painting advice.

Warhammer Fantasy BattlesBeastmen12 paint colours
February 2010Read summary
InterviewWD 362 · pp. 24–26

Designing the Herd

Mike Anderson, Mark Harrison and Aly Morrison explain how scavenged equipment, status-bearing horns and recognisable silhouettes distinguish Gors, Ungors and Bestigors without fragmenting the army. The Minotaurs’ feet and musculature draw on both myth and cattle references, while boars inspire the Razorgor’s explosive bulk. Their collaborative approach extends a familiar Beastman archetype while leaving room for the more unusual monsters still without miniatures.

Warhammer Fantasy BattlesBeastmen
February 2010Read summary
LoreWD 362 · p. 26

Fell Banners

Neil Hodgson builds Beastmen iconography around horns and skulls rather than repeated conventional Chaos symbols. Banners should look stolen, roughly altered or made from disturbing materials, reflecting a race that destroys and repurposes rather than manufactures. A red Ungor standard covered in bloody handprints exemplifies the idea: colour, material and motif all communicate the brayherd’s crude violence and contempt for its enemies.

Warhammer Fantasy BattlesBeastmen
February 2010Read summary