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PAINTING·WHITE DWARF 362

Giants: Large Areas

February 2010·p. 100

THE SHORT VERSION

A darker flesh foundation suits the Giant’s broad, relatively open facial surfaces. Many thin highlights progressively lighten the skin without harsh lines, while red and blue washes suggest anger or intoxication around the central features. The twelve-stage sequence ends with carefully restricted pale accents and completed eyes and teeth, demonstrating why a larger painting area requires finer control rather than a larger brush and heavier highlight.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Dark FleshTallarn FleshScorched BrownChaos BlackDwarf FleshFortress GreyBleached BoneScab RedRegal BlueSkull White

Only explicitly named Citadel paints and mediums are indexed; unnamed colours and third-party products are not guessed.

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Giant face Large areas Thin layers

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Find this article in White Dwarf 362, p. 100.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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InterviewWD 362 · pp. 18–27

Primal Fury

Andy Hall asks Phil Kelly how the new Beastmen book establishes a distinct culture driven by hatred of civilisation. Large regiments, unpredictable ambushes and Primal Fury replace the image of scattered minor raiders, while new monsters reinforce the army’s identity apart from Warriors of Chaos. Sculptors discuss shared weapon shapes, horns and anatomy, and the feature ends with banner design and practical four-stage painting advice.

Warhammer Fantasy BattlesBeastmen12 paint colours
February 2010Read summary
InterviewWD 362 · pp. 24–26

Designing the Herd

Mike Anderson, Mark Harrison and Aly Morrison explain how scavenged equipment, status-bearing horns and recognisable silhouettes distinguish Gors, Ungors and Bestigors without fragmenting the army. The Minotaurs’ feet and musculature draw on both myth and cattle references, while boars inspire the Razorgor’s explosive bulk. Their collaborative approach extends a familiar Beastman archetype while leaving room for the more unusual monsters still without miniatures.

Warhammer Fantasy BattlesBeastmen
February 2010Read summary
LoreWD 362 · p. 26

Fell Banners

Neil Hodgson builds Beastmen iconography around horns and skulls rather than repeated conventional Chaos symbols. Banners should look stolen, roughly altered or made from disturbing materials, reflecting a race that destroys and repurposes rather than manufactures. A red Ungor standard covered in bloody handprints exemplifies the idea: colour, material and motif all communicate the brayherd’s crude violence and contempt for its enemies.

Warhammer Fantasy BattlesBeastmen
February 2010Read summary