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MINIATURE SHOWCASE·WHITE DWARF 359

Painting Masters: Mark Lifton

November 2009·p. 87

THE SHORT VERSION

Mark uses multipart plastic figures to explore the positioning of duelling opponents. Working inside a small square base requires a readable relationship between the combatants. A Night Goblin riding a large Cave Squig offers a contrasting single centrepiece. Both projects depend on modelling choices that give the figures an immediate sense of character.

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Duel Golden Demon Cave Squig

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Miniature showcaseWD 359 · pp. 80–87

Painting Masters: A Retrospective

The series returns to seven previously featured painters to show how their work has developed. Experiments with non-metallic metal, scratch-built scenes, conversions and unusual colour choices reveal different ambitions. Introductory advice covers spot colours, a core palette and corrective glazes. The selection emphasises continuing experimentation rather than treating an earlier showcase as a finished achievement.

November 2009Read summary
Miniature showcaseWD 359 · p. 81

Painting Masters: Darren Latham

Darren’s recent miniatures demonstrate his growing confidence with non-metallic metal. Gold appears on helmets, armour and smaller accessories rather than only on a single display piece. His successful Celestial Wizard applies the same technique to a staff. The page connects several different subjects through a developing painting method.

High Elves
November 2009Read summary
Miniature showcaseWD 359 · pp. 82–83

Painting Masters: Mike Anderson

Mike uses individual models to test verdigris, smooth cloth and an albino complexion. Two large scratch-built scenes draw on the grimy humour of Warhammer art. A fighting cock, a curious cabin boy and tiny marine details make the settings rewarding to inspect. The gallery connects technical experiments to storytelling through sculpted objects.

Bretonnia
November 2009Read summary