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PAINTING·WHITE DWARF 338

Painting Blacks and Greys

February 2008·p. 72

THE SHORT VERSION

Three related recipes distinguish black, dark grey and light grey areas without losing the Goff model’s restrained background. Ink washes establish depth before base colours are restored where necessary. Successively paler edge lines become smaller and sharper, with the brightest black highlights confined to the extremities so the surface still reads as black. Working across the three tones together also keeps the process efficient.

AT THE PAINTING DESK

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Find this article in White Dwarf 338, p. 72.

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