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SHOWCASE·WHITE DWARF 336

Golden Demon 2007

December 2007·pp. 66–75

THE SHORT VERSION

Alan Merrett explains the competition’s emphasis on exceptional painting, seamless modelling and a convincing expression of the established settings. The international Slayer Sword gallery then illustrates different routes to that standard: contrasting surface finishes, ambitious sculpting, subtle transitions, restrained palettes and intricate freehand detail. Winners discuss challenging themselves, seeking advice and developing subjects they care about, presenting sustained effort and thoughtful choices as important as technical virtuosity.

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Find this article in White Dwarf 336, pp. 66–75.

Source names conflict: page 68 captions the Australian painter Glenn Lamprect but calls him Glenn Lambert in the body. Page 74 uses Natalya Melnick in the caption and Natalya Melnik in the body; the source also disagrees about Baltimore/Chicago. These inconsistencies are not silently resolved.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.