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PAINTING·WHITE DWARF 333

Painting Gold: Huron’s Decoration

September 2007·pp. 97–98

THE SHORT VERSION

Brown mixed into the gold basecoat reduces its yellow brightness before a purer gold mid-tone is applied. Controlled brown and selective purple ink shading enrich the recesses, while increasingly silver highlights pick out scratches and sharp edges. A final dark green glaze subtly changes the overall tone, showing how non-metallic colours can improve the depth and character of a metallic finish.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Scorched BrownShining GoldBrown InkPurple InkMithril SilverDark Angels Green

Only explicitly named Citadel paints and mediums are indexed; unnamed colours and third-party products are not guessed.

EXPLORE RELATED TOPICS

Colour theory Glazing & blending Painting metal Painting techniques Washes & shading

Back to the original

Find this article in White Dwarf 333, pp. 97–98.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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EditorialWD 333 · Inside cover

Traitors Across the Void

Grombrindal introduces the new Chaos Space Marines through their treachery, ambition and abundant opportunities for converting plastic miniatures. The issue’s campaign rules, magic tactics and Middle-earth Orc guide offer other ways to develop a collection, while the coming Apocalypse expansion promises battles on a much larger scale. The editorial links those projects through the pleasure of turning new models and background into personal armies.

Warhammer 40,000Warhammer Fantasy BattlesChaos Space Marines
September 2007Read summary
InterviewWD 333 · pp. 16–29

Slaves to Darkness: Chaos Space Marine Design Notes

Gav Thorpe describes replacing overlapping variant lists with a single flexible Chaos Space Marine army, visible unit identities and clearer equipment choices. Mark Harrison then explains how plastic kits expand Jes Goodwin’s established imagery with interchangeable weapons, mutations and icons. Christian Byrne’s sample army and the Studio’s colour schemes demonstrate the result: individual renegades and ancient Legion warriors can share one force without becoming a uniform collection of merely sinister loyalist Marines.

Warhammer 40,000Chaos Space Marines
September 2007Read summary
InterviewWD 333 · pp. 22–23

The Lost and the Damned: Designing the Chaos Plastics

Mark Harrison builds on the established Terminator silhouette while using plastic frames to add sharper details, optional weapons and varied heads. The Lord’s elevated pose gives a commander the presence of a centrepiece, while the Possessed required repeated experiments before their mutations felt convincing. An upgrade frame spreads the imagery of the Chaos powers through ordinary squads, making it possible to concentrate elaborate parts on champions or distribute them across a warband.

Warhammer 40,000Chaos Space Marines
September 2007Read summary