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PAINTING·WHITE DWARF 333

Huron’s Face

September 2007·p. 98

THE SHORT VERSION

The face is developed from a deep brown base through flesh mid-tones and grey-modified highlights, with a pale exposed skull forming a separate contrast. Ink mixtures shade the damaged features, and green singles out the bionic eye. Fil waits until the surrounding armour is complete before judging the skin’s brightness, since a black surround would make it appear deceptively light. Deliberately uneven highlights reinforce the character’s withered, scarred appearance.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Scorched BrownTallarn FleshFortress GreyGraveyard EarthSkull WhiteBrown InkChestnut InkRegal BluePurple InkGoblin GreenBronzed Flesh

Only explicitly named Citadel paints and mediums are indexed; unnamed colours and third-party products are not guessed.

EXPLORE RELATED TOPICS

Layering & highlighting Painting skin & faces Painting techniques

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Find this article in White Dwarf 333, p. 98.

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EditorialWD 333 · Inside cover

Traitors Across the Void

Grombrindal introduces the new Chaos Space Marines through their treachery, ambition and abundant opportunities for converting plastic miniatures. The issue’s campaign rules, magic tactics and Middle-earth Orc guide offer other ways to develop a collection, while the coming Apocalypse expansion promises battles on a much larger scale. The editorial links those projects through the pleasure of turning new models and background into personal armies.

Warhammer 40,000Warhammer Fantasy BattlesChaos Space Marines
September 2007Read summary
InterviewWD 333 · pp. 16–29

Slaves to Darkness: Chaos Space Marine Design Notes

Gav Thorpe describes replacing overlapping variant lists with a single flexible Chaos Space Marine army, visible unit identities and clearer equipment choices. Mark Harrison then explains how plastic kits expand Jes Goodwin’s established imagery with interchangeable weapons, mutations and icons. Christian Byrne’s sample army and the Studio’s colour schemes demonstrate the result: individual renegades and ancient Legion warriors can share one force without becoming a uniform collection of merely sinister loyalist Marines.

Warhammer 40,000Chaos Space Marines
September 2007Read summary
InterviewWD 333 · pp. 22–23

The Lost and the Damned: Designing the Chaos Plastics

Mark Harrison builds on the established Terminator silhouette while using plastic frames to add sharper details, optional weapons and varied heads. The Lord’s elevated pose gives a commander the presence of a centrepiece, while the Possessed required repeated experiments before their mutations felt convincing. An upgrade frame spreads the imagery of the Chaos powers through ordinary squads, making it possible to concentrate elaborate parts on champions or distribute them across a warband.

Warhammer 40,000Chaos Space Marines
September 2007Read summary