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PAINTING·WHITE DWARF 333

Painting the Hamadrya

September 2007·p. 99

THE SHORT VERSION

Ochre skin receives magenta-and-purple shading before successive pale highlights define the Hamadrya’s hunched anatomy. Bone and grey soften the intermediate stages, with white reserved for the final accents. Purple spots along the spine and contrasting eyes give the small familiar an identity separate from Huron’s red armour, while bone-coloured teeth complete the miniature without overwhelming its unusual skin pattern.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Tausept OchreMagenta InkPurple InkBleached BoneFortress GreySkull WhiteLiche PurpleWarlock Purple

Only explicitly named Citadel paints and mediums are indexed; unnamed colours and third-party products are not guessed.

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Hamadrya Familiar Spotted skin Ochre flesh Layered highlights

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Find this article in White Dwarf 333, p. 99.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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EditorialWD 333 · Inside cover

Traitors Across the Void

Grombrindal introduces the new Chaos Space Marines through their treachery, ambition and abundant opportunities for converting plastic miniatures. The issue’s campaign rules, magic tactics and Middle-earth Orc guide offer other ways to develop a collection, while the coming Apocalypse expansion promises battles on a much larger scale. The editorial links those projects through the pleasure of turning new models and background into personal armies.

Warhammer 40,000Warhammer Fantasy BattlesChaos Space Marines
September 2007Read summary
InterviewWD 333 · pp. 16–29

Slaves to Darkness: Chaos Space Marine Design Notes

Gav Thorpe describes replacing overlapping variant lists with a single flexible Chaos Space Marine army, visible unit identities and clearer equipment choices. Mark Harrison then explains how plastic kits expand Jes Goodwin’s established imagery with interchangeable weapons, mutations and icons. Christian Byrne’s sample army and the Studio’s colour schemes demonstrate the result: individual renegades and ancient Legion warriors can share one force without becoming a uniform collection of merely sinister loyalist Marines.

Warhammer 40,000Chaos Space Marines
September 2007Read summary
InterviewWD 333 · pp. 22–23

The Lost and the Damned: Designing the Chaos Plastics

Mark Harrison builds on the established Terminator silhouette while using plastic frames to add sharper details, optional weapons and varied heads. The Lord’s elevated pose gives a commander the presence of a centrepiece, while the Possessed required repeated experiments before their mutations felt convincing. An upgrade frame spreads the imagery of the Chaos powers through ordinary squads, making it possible to concentrate elaborate parts on champions or distribute them across a warband.

Warhammer 40,000Chaos Space Marines
September 2007Read summary