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PAINTING·WHITE DWARF 316

Painting Eorl the Young and Rohan Bases

April 2006·p. 78

THE SHORT VERSION

Pete Foley uses Eorl’s earlier, more prosperous setting to justify a brighter appearance than the later Rohan heroes. The white cloak rises from Fortress Grey through numerous thin white mixtures, preserving an even finish on small cloth surfaces. The base follows Brown Ink with brown and grey drybrushing, a pale final pass and patches of vegetation. Matching armour and barding makes horse and rider read as one royal figure.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Fortress GreySkull WhiteBrown InkSnakebite LeatherBestial Brown

Only named paints are indexed. The prose mentions a black undercoat without naming its paint; the printed “Fortess Grey” typo is normalized to the clearly intended Fortress Grey, also correctly printed in the base recipe.

EXPLORE RELATED TOPICS

Basing Painting cloth & leather Painting techniques

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Find this article in White Dwarf 316, p. 78.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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PaintingWD 316 · p. 48

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Vomit Brown provides the foundation for a camouflage pattern drawn lightly in pencil. Bronzed Flesh and a brown-fur mixture fill the geometric panels, and thinned Bestial Brown restores their boundaries. Increasingly pale edge highlights emphasize the vehicle’s clean shape. A separate colour key supplies the named colours for five sept markings, allowing the same hull treatment to identify different military origins.

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PaintingWD 316 · p. 49

Masterclass: Chad Mierzwa’s Hammerhead

Chad builds mottled camouflage through stippled greens and greys, then masks irregular lightning shapes before applying a dark grey finish. Removing the tape reveals a layered pattern rather than a single flat accent colour. Inside, a pale bone wash over white contrasts with green seats and grey doors. The two treatments give the open transport compartment and exterior hull different materials while preserving a shared restrained palette.

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PaintingWD 316 · p. 67

Painting the Raider Patrol

A black undercoat supports brown camouflage built from Bestial Brown with Snakebite Leather and Bleached Bone patches. Pouches stay black or use Scorched Brown to prevent small equipment from complicating the scheme. Fortress Grey headscarves and trousers provide a cooler contrast without becoming too bright for the desert theme. The short recipe aims at a coordinated army that remains practical to complete.

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