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PAINTING·WHITE DWARF 311

Painting Elrond

November 2005·p. 89

THE SHORT VERSION

Elrond shares the army’s washed gold armour but uses a green skirt and fully blue cloak. Additional layers restore his face, brighten the cloth folds and pick out hair texture, while Chainmail and Mithril Silver sharpen the sword. The recipe keeps him part of the same force while directing extra work toward the exposed face and distinctive costume rather than repainting every area differently.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Shining GoldCatachan GreenArdcoatSnot GreenUltramarines BlueDark FleshElf FleshBleached BoneSkull WhiteFortress GreyChainmailMithril SilverGoblin Green

Only explicitly named paints used in the feature are indexed.

EXPLORE RELATED TOPICS

Layering & highlighting Painting skin & faces Painting techniques

Back to the original

Find this article in White Dwarf 311, p. 89.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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CommunityWD 311 · pp. 10–15

The News

A Shadow in the East previews Easterlings, Khand and Khamûl, while Forge World shows its modular Phaeton outpost and a developing Keeper of Secrets. Realms of Sorcery, Vlad the Impaler and Fell Cargo broaden the book coverage. Reports also cover Cambridge’s gaming-room refurbishment, a regional doubles event, Space Hulk on mobile phones and a Winter Assault computer competition, with a new club-account service supporting organized groups.

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InterviewWD 311 · p. 10

A Shadow in the East

Adam Troke describes a region-focused supplement set around Rhûn rather than another retelling of a film. A Gondorian campaign against Easterlings and Khand will escalate through linked scenarios, with an appendix connecting the armies to wider history. Perry concepts and new plastic bowmen and cavalry expand the range, while Khamûl supplies a named Ringwraith and Good heroes ensure the book is not confined to Evil forces.

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PaintingWD 311 · pp. 50–55

In Darkness and Light

Adrian Wood builds five Initiates from the new Crusader, Tactical and Assault components, choosing poses suited to their weapons and visible detail. He first paints a fast black-white-red gaming scheme, then develops it with controlled edge highlights, crosses, lenses and richer details. The tutorial progresses from practical construction and transfers to freehand heraldry and the fine liturgy on studio Helbrecht and Grimaldus models, offering successive improvements to an already playable squad.

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