Preparing for Battle: Painting Tusks
November 2004·p. 111
THE SHORT VERSION
The tusks’ manually carved grain is emphasised through a pale brown base, an ink-and-paint wash and several increasingly light drybrushes. Paul redefines the attached ropes after the bone effect is finished and applies the same sequence to the toes, keeping the beast’s hard surfaces consistent.
AT THE PAINTING DESK
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Find this article in White Dwarf 299, p. 111.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.