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PAINTING·WHITE DWARF 299

Preparing for Battle: Howdah and Tusk Weapons

November 2004·p. 112

THE SHORT VERSION

Leaving the howdah unassembled allows Paul to reach its wicker floor, supports and side panels before the final construction. Different brown mixtures distinguish wood, ropes and weapon spikes, while an earthy red warpaint mix and black symbols introduce Haradrim identity without disrupting the model’s naturalistic setting.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Scorched BrownBestial BrownChaos BlackKommando KhakiDark FleshGraveyard EarthBrown InkBleached BoneTerracottaScab Red

Only explicitly named paints used in the feature are indexed.

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Mûmak howdah warpaint wood texture

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Find this article in White Dwarf 299, p. 112.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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The Emperor’s Finest: Painting Techniques

Five approaches to armour are compared through finished examples: opaque flat colour, sharp edge highlights, successive layers, ink shading and drybrushing. The guide relates each method to the underlying scheme and desired finish, explaining why a light ink-washed surface behaves differently from a dark suit picked out along its edges.

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Painting Chest Eagles, Liturgy and Transfers

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LoreWD 299 · pp. 104–109

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