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PAINTING·WHITE DWARF 289

A Tale of Good & Evil: Warriors of Minas Tirith

January 2004·pp. 110–111

THE SHORT VERSION

Steve Cumiskey begins his Gondor collection by treating each warrior as an individual. Weathered skin and bright but worn silver armour create the look of soldiers defending Osgiliath, while dusty grey cloth and dark shield faces keep the overall scheme restrained. The guide follows the metal layers and finishing details through to rubble bases, then considers conversions that will make duplicate plastic poses distinct.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Bestial BrownDwarf FleshElf FleshTin BitzBoltgun MetalChainmailMithril SilverCodex GreyChaos BlackScorched BrownChestnut InkDark FleshBleached Bone

Includes the paints in the pictured palette and actual steps. Shadow Grey is discussed as a rejected option and is not indexed as a colour used.

EXPLORE RELATED TOPICS

Army collecting Painting armour Painting metal Painting techniques

Back to the original

Find this article in White Dwarf 289, pp. 110–111.

Printed page 111 also carries a stray 56.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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RulesWD 289 · pp. 108–109

The Red Arrow

Hirgon carries Denethor’s call for aid through a scattered Orc patrol on his way to Rohan. The lone mounted messenger must cross the table, using darkness and uncertain sentry movement to avoid an early alarm. Detection or a noisy kill gives the Evil player normal control of the pursuing force. An alternative points match lets other heroes attempt a similar escape, making the scenario a compact test of route choice and restraint.

Middle-earth Strategy Battle GameGondor
January 2004Read summary
PaintingWD 289 · pp. 112–113

A Tale of Good & Evil: Orcs of Mordor

Adrian Wood chooses plastic Mordor Orcs for their variety and conversion potential, demonstrating his painting method on their chief Raghat. Brown underlayers, grey fur and muted highlights give the rags and skin warmth without bright colours. A simple metal-and-ink treatment keeps the armour quick to paint, and matching rubble bases prepare the army for ruined city terrain. Contrasting materials within a limited palette unite the horde while allowing individual figures to differ.

Middle-earth Strategy Battle GameMordor7 paint colours
January 2004Read summary
RulesWD 289 · pp. 114–115

Ride of the Ringwraiths: Part Four — Amon Sûl

Gandalf arrives at Weathertop before Frodo and faces the Nine around the ruined watchtower. Special protections represent his preparation and the stronghold’s lingering nobility, while darkness and arriving Ringwraith reinforcements shape the siege. The wizard must survive and banish enough foes, with linked-campaign rules carrying the wraiths’ remaining Will forward. An optional immediate Weathertop game lets the outcome affect their later attack on the Hobbits.

Middle-earth Strategy Battle GameThe Fellowship
January 2004Read summary