Dragon Ogre Shaggoth
September 2003·pp. 76–77
THE SHORT VERSION
Tammy Haye follows Darren Latham’s treatment of the Shaggoth’s contrasting surfaces: greenish lower skin, warmer flesh above and a dark scaled back. Repeated highlights define the muscles, while coloured ink glazes give the face and belly extra depth. Separate recipes cover the loincloth, hair, horns, metallic axe and gold fittings. Small imps and a rocky base complete a centrepiece whose many textures remain coherent across the whole model.
AT THE PAINTING DESK
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FOLLOW A THREAD
Back to the original
Find this article in White Dwarf 285, pp. 76–77.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.