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PAINTING·WHITE DWARF 284

Fellbeast Masterclass

August 2003·pp. 120–121

THE SHORT VERSION

Tammy Haye follows the ’Eavy Metal process for assembling and painting the Ringwraith on Fell Beast, with pinning and separate preparation making the large kit easier to handle. Flesh-grey mixtures, layered highlights and ink glazes build the creature’s skin and membranes, while the rider uses restrained grey highlights and weathered black robes. The guide also covers the accompanying Frodo model, including his clothes, face, metallic details and a base that matches the larger display.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Dwarf FleshCodex GreyChaos BlackBleached BoneBlack InkBrown InkFortress GreyBestial BrownBubonic BrownSkull WhiteDark FleshBoltgun MetalChainmailScorched BrownGraveyard EarthElf FleshMithril SilverShining Gold

All explicitly named paints in the guide are indexed using their historical names. See the source for mixtures and application order.

FOLLOW A THREAD

Fell Beast Ringwraiths Frodo Large models Ink glazes

Back to the original

Find this article in White Dwarf 284, pp. 120–121.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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CommunityWD 284 · pp. 18–19

Where to Go & What to See: Games Day 2003

A visitor’s guide maps the Games Day arena and lower hall, showing how participation games, the studios, Forge World and Golden Demon fit into the event. Featured mega-battles recreate the Sundering, a clash involving twenty Warhound Titans and the defence of Helm’s Deep. The lower-hall plan places the miniature archive and design process beside painting displays, while the Golden Demon timetable explains registration, judging and collection arrangements for the 2003 show.

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PaintingWD 284 · pp. 74–75

Ulthwé Seer Council

Seb Perbet and Neil Green demonstrate a coordinated scheme for Farseers and Warlocks, beginning with smooth black armour and cloaks built up through controlled grey highlights. Warm bone colours distinguish masks, runes and wraithbone equipment, while leather pouches receive separate brown-and-bone mixtures. Red gems and fittings provide the main contrast, with small reflected highlights and pale green eyes giving the finished council its sharpest points of light.

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EditorialWD 284 · p. 112

The Ring-bearer Speaks…

Alessio Cavatore explains the delayed arrival of the Fell Beast model and the challenge of adapting cinematic creatures to practical miniature production. He distinguishes the secretive Nazgûl of the first film from the more openly powerful captains of Sauron’s later armies, connecting that change to their expanded heroic resources and magic. Comments on flight, combat and future releases show the design reasoning behind the new models rather than simply promoting their size.

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