Pontifex Zenestra
March 2026·p. 91
THE SHORT VERSION
Doug paints Zenestra’s gold and steel without metallic pigments. Successively smaller brown-to-yellow layers build the gold reflections, while neutral greys create steel; very pale point highlights provide the final glint. The guide makes the two reflective materials distinct through their colour progressions.
AT THE PAINTING DESK
Paints in this article
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Find this article in White Dwarf 522, p. 91.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.