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PAINTING·WHITE DWARF 517

A Tale of Four Warlords: Dan’s Survivors of Hardship

October 2025·p. 48

THE SHORT VERSION

Dan’s Dawnbringer Crusade returns from years of fighting to find its home town destroyed, then begins a new crusade that gathers other displaced peoples. Moving the project to Ghyran leads to green heraldry inspired partly by the Living City, while the retained brass armour provides continuity with his original test model. Separate recipes for brass, green cloth and blue cloth establish a core palette that can accommodate recruits from other cities.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Warplock BronzeGehenna’s GoldSycorax BronzeAgrax EarthshadeCanoptek AlloyCaliban GreenNuln OilCastellan GreenElysian GreenIncubi DarknessThunderhawk BlueFenrisian Grey

Includes only explicitly named Citadel paints and mediums; unnamed colours and third-party products are not guessed.

EXPLORE RELATED TOPICS

Army lists & selection Painting armour Painting metal Painting recipes Painting techniques

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Find this article in White Dwarf 517, p. 48.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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CampaignWD 517 · pp. 44–45

A Tale of Four Warlords: Blighted Wilds

A new year of A Tale of Four Warlords sends Amber, Andrew, Dan and Matt into a shared Path to Glory campaign in Thyria, Ghyran. The familiar army-building challenges now develop alongside a narrative about purifying, befouling or otherwise disrupting the same region. The first challenge starts from a Spearhead, with progress tracked through painted units, games, victories and a completion bonus.

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PaintingWD 517 · p. 46

A Tale of Four Warlords: Amber’s Risen Legion

Amber bases her undead army on people drowned or shipwrecked around the Naiad Archipelago, whose long-resting bodies rise after Nurgle’s invasions. This coastal origin gives her scope to explore weathered metal and cloth, and she imagines larger creatures erupting from the sand. Her test scheme keeps painting efficient with a pale undercoat, burnished armour, Contrast red cloth and sandy bases, while green staining links the models to their damp history.

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PaintingWD 517 · p. 47

A Tale of Four Warlords: Andrew’s Hallowed Knights

Andrew returns to army painting with Hallowed Knights inspired by their literary portrayal and the archetype of the heroic knight. He chooses a bright, clean finish that emphasises their valour while acknowledging the tragedy of their eroding souls. Recipes for polished steel, blue pauldrons and burnished gold keep the overall scheme cool, with warmer metal providing controlled contrast.

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