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PAINTING·WHITE DWARF 517

A Tale of Four Warlords: Matt’s Brillz’ Gitmob

October 2025·p. 49

THE SHORT VERSION

Matt chooses a Gitmob force after experimenting with Flesh-eater Courts, taking advantage of the new wolf-riding range and its matching Spearhead. Brillz’ followers come from the Yskian Veldt near Dan’s settlement, giving the two armies a ready narrative connection. Bright yellow cloth distinguishes this project from Matt’s earlier yellow armies, while Contrast shading and drybrushing keep the wolves practical to paint in numbers.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Averland SunsetReikland FleshshadeFlash Gitz YellowDorn YellowGrey SeerApothecary WhiteCorax WhiteNuln OilDoomfire MagentaPlaguebearer FleshOrk FleshOgryn CamoKrieg Khaki

Includes only explicitly named Citadel paints and mediums; unnamed colours and third-party products are not guessed.

EXPLORE RELATED TOPICS

Army lists & selection Painting cloth & leather Painting recipes Painting techniques

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Find this article in White Dwarf 517, p. 49.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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CampaignWD 517 · pp. 44–45

A Tale of Four Warlords: Blighted Wilds

A new year of A Tale of Four Warlords sends Amber, Andrew, Dan and Matt into a shared Path to Glory campaign in Thyria, Ghyran. The familiar army-building challenges now develop alongside a narrative about purifying, befouling or otherwise disrupting the same region. The first challenge starts from a Spearhead, with progress tracked through painted units, games, victories and a completion bonus.

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PaintingWD 517 · p. 46

A Tale of Four Warlords: Amber’s Risen Legion

Amber bases her undead army on people drowned or shipwrecked around the Naiad Archipelago, whose long-resting bodies rise after Nurgle’s invasions. This coastal origin gives her scope to explore weathered metal and cloth, and she imagines larger creatures erupting from the sand. Her test scheme keeps painting efficient with a pale undercoat, burnished armour, Contrast red cloth and sandy bases, while green staining links the models to their damp history.

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PaintingWD 517 · p. 47

A Tale of Four Warlords: Andrew’s Hallowed Knights

Andrew returns to army painting with Hallowed Knights inspired by their literary portrayal and the archetype of the heroic knight. He chooses a bright, clean finish that emphasises their valour while acknowledging the tragedy of their eroding souls. Recipes for polished steel, blue pauldrons and burnished gold keep the overall scheme cool, with warmer metal providing controlled contrast.

Age of SigmarStormcast Eternals13 paint colours
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