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PAINTING·WHITE DWARF 514

Painting Harlequins

July 2025·p. 88

THE SHORT VERSION

Tom builds translucent pale holo-suits over a grey undercoat and black wash, using medium throughout the highlights so the white develops depth. The same palette is drybrushed on vehicles before smoothing glazes, creating a quiet field for red-and-white cherry blossoms and brown branches. Wraith constructs instead retain muted blue-green colour and finish in Pallid Wych Flesh, suggesting age and bleaching without the intensity of pure white.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Mechanicus Standard GreyNuln OilLahmian MediumCelestra GreyWhite ScarMephiston RedAbaddon BlackRhinox HideMournfang BrownBaharroth BlueDrakenhof NightshadeWraithbonePallid Wych Flesh

Only paints explicitly named in this feature are indexed.

EXPLORE RELATED TOPICS

Freehand & heraldry Glazing & blending Painting armour Painting techniques

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Find this article in White Dwarf 514, p. 88.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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Planet Warhammer

A reader describes the camaraderie and sense of purpose that made Space Marine 2 meaningful to him, while others share a character collage and videos of monthly Bunker missions. A conversion question is answered by tracing Connor’s Chaos Lord back to its original kit and explaining the Varanguard shield, helmet and altered weapon. The gallery ranges from the Dread Pageant to a Scythes of the Emperor Dreadnought, mixing hobby inspiration with practical identification help.

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ShowcaseWD 514 · pp. 4–5

The Creature Feature

A studio challenge gives overlooked companion creatures a 35mm plinth and a small story of their own. Owen, Rowan, Ant and Kieran turn rats, gargoylians, a servo-skull, a rocket-driven squig and graveyard animals into independent vignettes. Composition does much of the work: a tiny nest gets a deliberately small “puddle” base, a Nurgling is crushed under a Drop Pod door, and a sculpted strand of kelp makes an ethershark appear to swim.

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PaintingWD 514 · p. 6

Model(s) of the Month: Chaos Terminators

Philipp Höppner treats his Word Bearers as a long-term project informed by reading their fiction. His Terminators begin with dark red armour and silver trim, both subdued by two black washes before thin red layers and progressively warmer edge highlights restore definition. A separate flesh recipe turns their flayed tabards into a disturbing counterpoint to the hard armour, with further additions already planned for the army.

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