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PAINTING·WHITE DWARF 514

Model(s) of the Month: Chaos Terminators

July 2025·p. 6

THE SHORT VERSION

Philipp Höppner treats his Word Bearers as a long-term project informed by reading their fiction. His Terminators begin with dark red armour and silver trim, both subdued by two black washes before thin red layers and progressively warmer edge highlights restore definition. A separate flesh recipe turns their flayed tabards into a disturbing counterpoint to the hard armour, with further additions already planned for the army.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Khorne RedLeadbelcherNuln OilTuskgor FurSquig OrangeWild Rider RedBugman’s GlowReikland FleshshadeCadian FleshtonePallid Wych Flesh

Only paints explicitly named in this feature are indexed.

EXPLORE RELATED TOPICS

Painting armour Painting skin & faces Painting techniques

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Find this article in White Dwarf 514, p. 6.

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CommunityWD 514 · pp. 2–7

Planet Warhammer

A reader describes the camaraderie and sense of purpose that made Space Marine 2 meaningful to him, while others share a character collage and videos of monthly Bunker missions. A conversion question is answered by tracing Connor’s Chaos Lord back to its original kit and explaining the Varanguard shield, helmet and altered weapon. The gallery ranges from the Dread Pageant to a Scythes of the Emperor Dreadnought, mixing hobby inspiration with practical identification help.

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ShowcaseWD 514 · pp. 4–5

The Creature Feature

A studio challenge gives overlooked companion creatures a 35mm plinth and a small story of their own. Owen, Rowan, Ant and Kieran turn rats, gargoylians, a servo-skull, a rocket-driven squig and graveyard animals into independent vignettes. Composition does much of the work: a tiny nest gets a deliberately small “puddle” base, a Nurgling is crushed under a Drop Pod door, and a sculpted strand of kelp makes an ethershark appear to swim.

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LoreWD 514 · pp. 8–11

Worlds of Warhammer: Unleashing the Dark Gods of Chaos

Phil and Andy identify the Chaos Gods as the common thread linking Warhammer’s otherwise different settings. They contrast the emotional powers of the Warp, mortal corruption and the Great Game with the gods’ lighter role in Blood Bowl, then examine ambitious figures such as the Great Horned Rat, Hashut and Vashtorr. The discussion explains why the same broad antagonists can generate threats at every scale, from an underhive cult to realities consumed by daemonic war.

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