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PAINTING·WHITE DWARF 512

Brush Tips: Deathrattle Skeletons, Barrow Guard and Barrow Knights

May 2025·pp. 74–78

THE SHORT VERSION

Different patinas on bronze distinguish warriors buried for different lengths of time, while black cloth and white shields provide strong value contrast. Red and purple denote rank, appearing prominently on nobles but only subtly on ordinary skeletons. Recipes cover multiple bone and verdigris variants, wood, metal, straps, leather and mounted-warrior details; shared grave-dirt colours connect models, shields, banners and bases.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Valdor GoldCastellax BronzeWarplock BronzeStormhost SilverDeepkin FleshWhite ScarDawnstoneAthonian CamoshadeBaharroth BlueCygor BrownCaliban GreenWarboss GreenNurgling GreenKrieg KhakiDark Angels GreenLupercal GreenKabalite GreenSybarite GreenUshabti BoneGrey SeerSkeleton HordeDryad BarkKarak StoneAgrax EarthshadeAbaddon BlackRhinox HideScreaming SkullKantor BlueAdministratum GreyDoombull BrownWord Bearers RedXV-88LeadbelcherBlack TemplarNuln OilRetributor ArmourRunelord BrassGore-grunta FurKhorne RedSquig OrangeTau Light OchreMournfang BrownSkrag BrownScreaming BellHashut CopperFlesh Tearers RedIncubi DarknessSteel Legion Drab

Only explicitly named paints and recipe ingredients are indexed.

FOLLOW A THREAD

Deathrattle Skeletons Barrow Guard Barrow Knights bronze bone verdigris

Back to the original

Find this article in White Dwarf 512, pp. 74–78.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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Lyle Lowery moves the Season of Chaos from Slaanesh to Nurgle, introducing a Death Guard Combat Patrol, infected battlefields and diseased model collections. The Grey Knights provide an opposing perspective, while Gnashka reaches its conclusion and a new five-part duardin serial begins. The editorial links these features through the contrast between spreading corruption and the forces that resist it.

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Hive Smasha: Ork Gargant

Simon Coquin spends six months building a vast Gargant inspired by the Epic Great Gargant, using plasticard and accumulated parts. Leadbelcher and pale underlayers support airbrushed blue panels, while Martian Ironearth, sponged browns and orange, and metallic stippling create thick corrosion. Killa Kan turrets, a reactor cover and a Warhound weapon convey the project’s scale and his ambition to face a Warlord Titan.

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