Studio Psykers: Infernal Master
April 2025·p. 122
THE SHORT VERSION
Sophie experiments with non-metallic gold on an Infernal Master, starting with XV-88 and brown shadows before glazing ochre and yellow highlights. Rhinox Hide and Gal Vorbak Red deepen the darkest areas, with Dorn Yellow providing a final bright edge. The sequence aims to create reflective contrast with ordinary opaque colours rather than metallic pigments.
AT THE PAINTING DESK
Paints in this article
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Back to the original
Find this article in White Dwarf 511, p. 122.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.