Attaining Perfection: Painting Fulgrim
April 2025·pp. 36–37
THE SHORT VERSION
Anja establishes broad mid-tones and smooth transitions before refining small details on Fulgrim. Purple-shadowed rich and pale gold contrast with cooler flesh, while the underside and leather remain dark enough to frame the figure. Separate purple and turquoise body recipes use repeated glazes and pale highlights to create a changing aquatic sheen, with pink cloth tying the palette together.
AT THE PAINTING DESK
Paints in this article
Every named colour below is searchable across the archive.
Back to the original
Find this article in White Dwarf 511, pp. 36–37.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.