CommunityWD 509 · pp. 2–6
Readers discuss squeezing painting into the first months of parenthood, returning to the hobby after difficult years, and discovering unfamiliar Space Marine Chapters through store painting challenges. The gallery ranges from Ushoran and a Bad Moons Deff Dread to Mephiston and Holga Clovenhorn, while a news item celebrates the Tome Keepers’ appearance in Space Marine II.
Warhammer 40,000Age of Sigmar1 paint colour
PaintingWD 509 · p. 7
Marcin Kamiński turns a hornet spotted near his beehives into the starting point for a Tyranid colour scheme: yellow and red carapace, complementary purple flesh and turquoise psychic details. His process begins with a black-to-grey zenithal undercoat, then combines thinned Contrast mixtures and drybrushed highlights to create controlled gradients without making the creature a literal insect copy.
Warhammer 40,000Tyranids15 paint colours
LoreWD 509 · pp. 8–11
Colin explains how recurring “anchoring points” make a vast fictional setting coherent. Colours, psychology, military doctrine and reasons for fighting establish recognisable factions, from Codex-minded Ultramarines and the sacrifice of the Sisters of Battle to Ork superstition and T’au coordination. Exceptions gain their force from that shared baseline: Cawl, the Lamenters and the Farsight Enclaves work because the audience understands what they diverge from.
Warhammer 40,000Space Marines