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PAINTING·WHITE DWARF 508

Brush Tips: A Saga of Beards and Metal

January 2025·pp. 84–87

THE SHORT VERSION

Matt explains the Old World Dwarfs through the materials and beards that dominate their models. Different metals distinguish ornamental wealth from working equipment, while hair colours communicate age and personality. Glazed capes and unusually edged gemstones provide colour accents around the warm gold and cold silver, with detailed swatches documenting each surface.

EXPLORE RELATED TOPICS

Painting metal Painting techniques

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Find this article in White Dwarf 508, pp. 84–87.

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PaintingWD 508 · pp. 36–47

Fantastic Warhosts: Daughters of Khaine

The feature encourages collectors to create a Khainite temple through its name, realm, loyalties, leader and colours. A Zainthar Kai example ties those choices to existing lore before a wide gallery demonstrates personal interpretations. Natural snakes, tropical birds, red-skinned cultists, armoured Melusai and iridescent scales show how conversions and colour schemes can express a sect’s character.

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PaintingWD 508 · pp. 38–39

The Royal Bloodscale Coven

Arran Folly builds around Morathi and the Melusai, combining his interest in their story with an effective gaming army. Coral snakes inform the Blood Sisters and green tree pythons the Stalkers, while non-metallic gold pushes his painting skills. Bright highlights across gold, green and white scales give the army a stylised, almost manga-like finish.

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PaintingWD 508 · pp. 38–39

Morathi’s Gorgon Horde

Christine Coram’s Soulbound Hag Priestess provides the starting point for a collection shaped by her view of the Khainites as betrayed women. Darkling Coven components add variety to the models. Contrast basecoats and drybrushing make the green serpents practical to paint, while burgundy fabric receives stippled pale highlights for a distinct texture.

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