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PAINTING·WHITE DWARF 501

Painting a Horde: Azghaal’s Ironjawz

June 2024·p. 64

THE SHORT VERSION

Rob finishes the extensive metalwork before returning to the orruks’ flesh, keeping his batch-painting process efficient. Dark washed iron differentiates armour from brighter weapons, while warm brown skin and natural red cloth support the restricted palette. Leaving the eyes without pupils deliberately exaggerates their anger rather than making the warriors look more human.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Chaos BlackIron WarriorsBasilicanum GreyIronbreakerStormhost SilverLeadbelcherNuln OilMournfang BrownAgrax EarthshadeSkrag BrownDeathclaw BrownKhorne RedEvil Sunz ScarletZandri DustMorghast BoneUshabti BoneScreaming SkullRhinox HideDoombull BrownTuskgor Fur

Only explicitly named Citadel paints and mediums are indexed; unnamed colours and third-party products are not guessed.

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Army painting Orruk skin Metallics Batch painting

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Find this article in White Dwarf 501, p. 64.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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EditorialWD 501 · Inside cover

Spearhead Goals

Lyle uses the approaching Spearhead league to balance his enthusiasm for new factions with attention to existing armies. His plan begins by revisiting Sons of Behemat, then expanding Nighthaunt before permitting an entirely new project. A possible fourth force would come from unpainted models already owned, turning a small fixed-list format into a way to satisfy several different hobby ambitions.

Age of Sigmar
June 2024Read summary
CommunityWD 501 · pp. 2–5

Contact

David Garcia Regodón builds a miniature painting desk around Epic models, complete with tiny supplies and its own Golden Demon entry. Henrik Olsen converts giant macro-mutants for a Chaos Knights force, and a question examines the competing fates of souls in the Mortal Realms. Caleb Wissenback’s Rogal Dorn uses translucent coloured shadows over drybrushed metal to create richer, more varied gold.

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LoreWD 501 · pp. 6–9

Worlds of Warhammer: All Beasts Great and Small

Phil looks back across the Era of the Beast, following Kragnos’s release, the return of the Draconith and the escalating wars of Ghur. Gnarlwood expeditions, Dawnbringer innovations and Trugg’s destruction of magical sites connect the edition’s many creatures to its changing story. Gobsprakk’s suppression of evidence about surviving Drogrukh gives the retrospective a final note of betrayal as the Hour of Ruin approaches.

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June 2024Read summary