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PAINTING·WHITE DWARF 501

Stage by Stage: Brown Bases

June 2024·p. 29

THE SHORT VERSION

Four recipes compare rough badlands, dry dust, cracked earth and wet-looking mud. A coloured foundation becomes visible beneath the crackle paint, while varnish encourages and then protects its broken surface. The examples also show how a wash and two drybrush stages can alter the texture’s character without requiring extra scenic components.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Agrellan BadlandSeraphim SepiaUshabti BoneWraithboneArmageddon DustAggaros DunesZamesi DesertTyrant SkullSteel Legion DrabArdcoatAgrellan EarthStormshieldFuegan OrangeRakarth FleshPallid Wych FleshStirland MudNuln OilThondia BrownGolgfag Brown

Only explicitly named Citadel paints and mediums are indexed; unnamed colours and third-party products are not guessed.

FOLLOW A THREAD

Basing Brown earth Crackle preparation

Back to the original

Find this article in White Dwarf 501, p. 29.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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PaintingWD 501 · p. 15

Vanari Bladelord by Matt

Matt revisits the blue-and-silver appearance of his old High Elves and deliberately avoids white. Two related blue cloth treatments provide contrast within the limited palette, while gloss mixed into the metal’s shade keeps the armour reflective. A bright green base completes the test model and offers a clear direction for the larger Lumineth Spearhead.

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PaintingWD 501 · p. 15

Mortek Guard by Sergi

Sergi seeks a quick rewarding process based on drybrushing, beginning with bone-coloured undercoat and irregular dark-brown areas. A diluted shared wash unites the different bones before pale and brown drybrushes restore their texture. Green beneath a light gold drybrush provides a simple aged metallic effect that complements the assembled skeleton.

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PaintingWD 501 · p. 16

Slaves to Darkness by Roberto

Roberto imagines cursed warriors wandering a surreal desert in Tzeentch’s realm, surrounded by pages of ancient books. A pale crystalline finish is reserved for the Chaos Lord, giving the commander a distinction the rank and file do not share. Unusual coloured highlights shape black armour, while freehand banners and warm non-metallic gold reinforce the strange setting.

Age of SigmarSlaves to Darkness15 paint colours
June 2024Read summary