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PAINTING·WHITE DWARF 500

Painting Grombrindal

May 2024·pp. 162–165

THE SHORT VERSION

Max makes the White Dwarf’s beard the focal point and studies painted whites to keep it lively through subtle coloured glazes. Different handling of hair, skin, wool and non-metallic metals prevents the detailed miniature from becoming visually uniform. The masterclass explains how neighbouring base colours inform contrast and how real reflective objects help place convincing highlights.

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Find this article in White Dwarf 500, pp. 162–165.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.