CommunityWD 500 · pp. 4–9
Readers recall the magazine issues and friendships that began or sustained their hobby, from Glazer’s Creek to international editions. James Atkinson’s Einhyr Champion and the studio’s Ymyr Conglomerate receive detailed colour recipes, while Philipp Höppner recreates Ghoulslayer with a converted Maleneth. A question about Shu’gohl considers how population, influence and Sigmarite institutions distinguish a City of Sigmar.
Warhammer 40,000Age of SigmarLeagues of Votann26 paint colours
CommunityWD 500 · pp. 10–11
After a year of leagues and campaigns, the studio Bunker shifts attention toward painting, modelling and Armies on Parade. A planner begins with choosing a faction and story, then develops a palette, estimates construction and painting time and rehearses the finished arrangement. Participants can incorporate those same completed units into their Bunker achievements, connecting a display project to their continuing club activity.
CommunityWD 500 · pp. 32–37
The Rusty Nurgling event brings painters together at the Warhammer cafés in North America and Tokyo, with preparation sessions and constructive feedback accompanying the awards. Selected Dallas–Fort Worth winners illustrate its range of subjects. Studio and reader monsters and machines follow, including a chrome Necron Monolith, a quickly drybrushed Carnosaur and a sharply finished Black Templars Dreadnought.
Warhammer 40,000Age of SigmarNecrons14 paint colours