C’tan Shard of the Void Dragon by Elliot
April 2024·p. 111
THE SHORT VERSION
Elliot deliberately pursues liquid chrome to distinguish the Void Dragon from the grimier appearance of his Imperial models. Gloss medium preserves reflective silver and gold, while translucent blue alters the lightning without concealing its metallic foundation. A darker blackstone structure provides the necessary contrast, keeping the brilliant figure readable against its own elaborate setting.
AT THE PAINTING DESK
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Find this article in White Dwarf 499, p. 111.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.