PaintingWD 492 · p. 5
Damien Tomasina raises the Avatar above a burning battlefield with cork, a wrecked Aeldari vehicle and dead Drukhari, turning its surroundings into part of the molten spectacle. He explains the bright mixed base of the flames and the sequence of reds, dark armour colours and lilac highlights that balances the luminous figure against its black shell.
Warhammer 40,000Aeldari11 paint colours
PaintingWD 492 · p. 6
The ’Eavy Metal team answers a reader’s request for the purple shell of the Mulch, combining a very dark violet base with progressively paler highlights. Blue-green colour is worked into the recesses instead of simply using a darker wash, with thin, milk-like paint consistency recommended to control the unusual contrast.
Warhammer 40,000Genestealer Cults6 paint colours
PaintingWD 492 · pp. 32–35
Emily Ridding argues for scenery that supports the armies on the table without overwhelming them. A practical Aegis Defence Line project uses a quick base, shared washes and selective weathering to tie the terrain to its battlefield, with alternative starting colours, Tyranid damage and small lighting effects extending the approach.
Warhammer 40,000